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The Mad Monkey (Twisted Obsession) Blu-ray presents Fernando Trueba’s 1989 psychological neo-noir thriller in a restored high-definition release from Bizarro. Also known as Twisted Obsession, the film stars Jeff Goldblum, Miranda Richardson, Dexter Fletcher and Liza Walker in a dark, twisting story set around the Paris film world.

 

American screenwriter Dan Gillis is living in Paris after a recent separation when he is hired to collaborate with ambitious young director Malcolm Greene. As Dan becomes drawn into Malcolm’s circle, including his sister Jenny and Dan’s agent Marilyn, the project’s strange screenplay begins to blur with manipulation, obsession and dangerous secrets.

 

Stylish, offbeat and unsettling, The Mad Monkey marks Academy Award-winning director Fernando Trueba’s bold entry into psychological thriller territory. Shot by José Luis Alcaine, this long-unavailable Spanish production arrives on Region A Blu-ray with a 2K restoration, new interviews, archival behind-the-scenes footage, booklet and limited edition spot gloss slipcover.

 

directed by: Fernando Trueba
starring: Jeff Goldblum, Miranda Richardson, Dexter Fletcher, Liza Walker, Anémone, Daniel Ceccaldi
1989 / 108 min / English & French DTS-HD MA 2.0 / 1-Disc Region A Blu-ray with Limited Edition Spot Gloss Slipcover

The Mad Monkey (Twisted Obsession) [Blu-ray] w/slip

$42.99Price
Quantity
  • • 2K Restoration from the Original Negative
    • Original English Soundtrack
    • Optional Newly Translated English Subtitles
    • To Dream so as to Film – New In-Depth Interview with Director Fernando Trueba
    • A Fantastic Anomaly – New Interview with Sitges Film Festival Director Ángel Sala
    • Dreaming About The Mad Monkey – Archival Behind-the-Scenes Featurette with Fernando Trueba, Jeff Goldblum, Miranda Richardson, Dexter Fletcher and Liza Walker
    • 2.35:1 Aspect Ratio

     

    COLLECTOR’S CONTENTS

    • Limited Edition Spot Gloss Slipcover Designed by Tony Stella, Limited to 2,000 Units
    • 16-Page Booklet Featuring a New Essay by Film Historian Kat Ellinger

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