Barry Lyndon 4K Ultra HD + Blu-ray presents Stanley Kubrick’s visually breathtaking historical epic in a stunning new 4K restoration.

Adapted from William Makepeace Thackeray’s novel, the film follows the rise and fall of an ambitious Irish opportunist whose pursuit of wealth and status leads him through war, deception, and the aristocratic circles of eighteenth-century Europe. Through meticulously composed imagery and groundbreaking cinematography, Kubrick transforms the period drama into a haunting meditation on class, vanity, and moral decay.

Widely regarded as one of the most beautifully photographed films ever made, Barry Lyndon remains a towering achievement in cinematic craftsmanship.

directed by: Stanley Kubrick
starring: Ryan O’Neal, Marisa Berenson, Patrick Magee, Hardy Krüger, Leon Vitali
1975 / 185 min / 1.66:1 / English / Color

Film Info
United States, United Kingdom
1975
185 minutes
Color
1.66:1
English
Spine #897

Barry Lyndon [4K Ultra HD + Blu-ray] w/slip

Name: Barry Lyndon [4K Ultra HD + Blu-ray] w/slip
Brand: Criterion Collection
Price: 56.99 CAD
Availability: OutOfStock

$56.99

Quantity

Out of Stock

4K UHD + BLU-RAY SPECIAL EDITION FEATURES

• New 4K digital restoration, with uncompressed monaural soundtrack
• Alternate 5.1 surround soundtrack, presented in DTS-HD Master Audio
• One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features
• Interviews with the cast and crew as well as archival audio featuring director Stanley Kubrick on the film’s cinematography, costumes, editing, and production
• Interview featuring historian Christopher Frayling on production designer Ken Adam
• Interview with critic Michel Ciment
• Interview with actor Leon Vitali about the 5.1 surround soundtrack, which he cosupervised
• Interview with curator Adam Eaker about the fine-art-inspired aesthetics of the film
• Trailers
• English subtitles for the deaf and hard of hearing
• PLUS: An essay by critic Geoffrey O’Brien and two pieces about the look of the film from the March 1976 issue of American Cinematographer
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